How long does it take to resound ?

Can resistance escape the visual codes through which the body has already been defined?

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Inside a shopping centre—a space organised around display and desirability—a woman repeatedly strikes the architecture with artificial flowers. The flowers function both as decorative objects and as instruments of confrontation.

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Yet the building remains unchanged.

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The work places resistance inside a contradiction: the body attempts to oppose the structure using the very signs through which femininity has been made visible and consumable.

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